Joe Kissell

The Lost Notebook

Tragedy struck this evening. I lost my Moleskine notebook. I was on my way to meet Morgen after work, pick up a bite to eat, check out a new bookstore, and then go to the 2005 San Francisco kick-off party for National Novel Writing Month, which begins on November 1. I’d brought my trusty notebook along to record the inevitable flashes of inspiration. Instead, my notebook and I parted company along the way—I’m guessing probably on the subway or in the station somewhere.

Following Bruce Chatwin’s advice, I put my name and contact information in the front of the notebook, along with the promise of a reward if the notebook is found and returned. No one has contacted me yet, and BART’s lost-and-found office was closed, so there is yet hope that some kind soul—or, hey, some greedy soul who wants to pick up an easy $100 reward—will yet come through with it. But I find it hard to be sanguine.

It feels a little bit creepy to have lost it, sort of like losing a wallet, or maybe a diary. It didn’t contain any money, or big secrets, or million-dollar business ideas, or details of sordid affairs. In fact, I think it had nothing in it of any value whatsoever to anyone but me. Still, those were personal thoughts and ideas, dreams and observations. I would be annoyed if it had been destroyed, but I’m much more disturbed that someone else could be reading through that little corner of my brain right now. That stuff wasn’t meant for public consumption, or even for private consumption. It was just for me.

Ironically, I’ve been working the past few days on updating my ebook about backups, and this data (analog as it is) was not backed up. I’m not even entirely sure what all was in this particular notebook. At the party, when I mentioned my loss to a couple of fellow novelists-to-be, they sympathetically suggested getting into the habit of photographing each page as it’s filled or faxing myself copies of the pages. Those sorts of tactics would, of course, provide the necessary backup (albeit at a significant inconvenience), but they still don’t protect the information already in the notebook from prying eyes.

It’s funny, too—I wouldn’t have been the slightest bit worried about losing my computer. Everything important on it is heavily encrypted (and religiously backed up) and the hardware is insured, so I’d simply report it to the insurance company, go buy a new one, reload my data, and continue on my merry way. But paper, for all its virtues, denies me that security. I could write in code, but that’s way too much bother. I could use a PDA, but I’ve found them just too cumbersome for taking notes. I did buy a replacement notebook, but there’s no way to replace the lost ideas, or the lost privacy.

Pursuit by Happyness

One evening last week, Morgen and I went to a theater in downtown San Francisco—just a few blocks from where she works—to see a play featuring our friend Christopher in the role of (among other things) a homeless man. On our way, we walked down a block that had been closed to traffic and was full of moviemaking apparatus. Someone said they’d heard Will Smith was filming a movie there. Other than the barricades and a few glimpses of lights and cranes and so on, we didn’t see much, and I didn’t think anything of it. I’m not a particularly big Will Smith fan, and I’ve seen other movies being filmed here in town. Walked right past Robin Williams on the street one day, for example.

Then yesterday afternoon we noticed that all the billboards in our local BART station had been replaced with ads from ca. 1980. And in the evening, we saw tons of large white trucks unloading equipment, setting up tents and porta-potties, and generally taking over that block of our neighborhood. Today, we happened to pass through the station a couple of times, as the subway is our usual mode of transit around the city. And sure enough, the entire Glen Park station, just a few blocks from our home, had been converted into a movie set—with loads of cameras, lights, cables, and other gadgetry. It was quite fascinating (from a purely gadgety point of view, of course). The directors’ chairs were all silk-screened with the logo for The Pursuit of Happyness, coming next year to a theater near you. Will Smith stars as (among other things) a homeless man named—I’m not making this up—Christopher.

I might also mention, just as a passing observation, that the last name of Smith’s character in this movie is Gardner, and our two visits to the BART station today were on our way to and from watching The Constant Gardener.

In yet another random coincidence, today’s entry on my friend’s blog But She’s a Girl, titled “Imagining Nothing,” concerns both Bill Bryson (one of Morgen’s favorite authors) and the Big Bang, a topic I’ve been discussing a fair bit recently. And on our way down the street from our home this morning (right after reading that entry), we passed a garage sale where one of the featured items was a huge children’s book called Big Bang: The Story of the Universe.

These are the sorts of events that really shake my faith in the indeterminacy of life. I can only take so many coincidences without suspecting someone, or something, is behind them. In this case, I think it’s pretty clear what’s going on. I’m being pursued by Happyness. Or Will Smith is stalking me.