The Lost Notebook

Tragedy struck this evening. I lost my Moleskine notebook. I was on my way to meet Morgen after work, pick up a bite to eat, check out a new bookstore, and then go to the 2005 San Francisco kick-off party for National Novel Writing Month, which begins on November 1. I’d brought my trusty notebook along to record the inevitable flashes of inspiration. Instead, my notebook and I parted company along the way—I’m guessing probably on the subway or in the station somewhere.

Following Bruce Chatwin’s advice, I put my name and contact information in the front of the notebook, along with the promise of a reward if the notebook is found and returned. No one has contacted me yet, and BART’s lost-and-found office was closed, so there is yet hope that some kind soul—or, hey, some greedy soul who wants to pick up an easy $100 reward—will yet come through with it. But I find it hard to be sanguine.

It feels a little bit creepy to have lost it, sort of like losing a wallet, or maybe a diary. It didn’t contain any money, or big secrets, or million-dollar business ideas, or details of sordid affairs. In fact, I think it had nothing in it of any value whatsoever to anyone but me. Still, those were personal thoughts and ideas, dreams and observations. I would be annoyed if it had been destroyed, but I’m much more disturbed that someone else could be reading through that little corner of my brain right now. That stuff wasn’t meant for public consumption, or even for private consumption. It was just for me.

Ironically, I’ve been working the past few days on updating my ebook about backups, and this data (analog as it is) was not backed up. I’m not even entirely sure what all was in this particular notebook. At the party, when I mentioned my loss to a couple of fellow novelists-to-be, they sympathetically suggested getting into the habit of photographing each page as it’s filled or faxing myself copies of the pages. Those sorts of tactics would, of course, provide the necessary backup (albeit at a significant inconvenience), but they still don’t protect the information already in the notebook from prying eyes.

It’s funny, too—I wouldn’t have been the slightest bit worried about losing my computer. Everything important on it is heavily encrypted (and religiously backed up) and the hardware is insured, so I’d simply report it to the insurance company, go buy a new one, reload my data, and continue on my merry way. But paper, for all its virtues, denies me that security. I could write in code, but that’s way too much bother. I could use a PDA, but I’ve found them just too cumbersome for taking notes. I did buy a replacement notebook, but there’s no way to replace the lost ideas, or the lost privacy.

Pursuit by Happyness

One evening last week, Morgen and I went to a theater in downtown San Francisco—just a few blocks from where she works—to see a play featuring our friend Christopher in the role of (among other things) a homeless man. On our way, we walked down a block that had been closed to traffic and was full of moviemaking apparatus. Someone said they’d heard Will Smith was filming a movie there. Other than the barricades and a few glimpses of lights and cranes and so on, we didn’t see much, and I didn’t think anything of it. I’m not a particularly big Will Smith fan, and I’ve seen other movies being filmed here in town. Walked right past Robin Williams on the street one day, for example.

Then yesterday afternoon we noticed that all the billboards in our local BART station had been replaced with ads from ca. 1980. And in the evening, we saw tons of large white trucks unloading equipment, setting up tents and porta-potties, and generally taking over that block of our neighborhood. Today, we happened to pass through the station a couple of times, as the subway is our usual mode of transit around the city. And sure enough, the entire Glen Park station, just a few blocks from our home, had been converted into a movie set—with loads of cameras, lights, cables, and other gadgetry. It was quite fascinating (from a purely gadgety point of view, of course). The directors’ chairs were all silk-screened with the logo for The Pursuit of Happyness, coming next year to a theater near you. Will Smith stars as (among other things) a homeless man named—I’m not making this up—Christopher.

I might also mention, just as a passing observation, that the last name of Smith’s character in this movie is Gardner, and our two visits to the BART station today were on our way to and from watching The Constant Gardener.

In yet another random coincidence, today’s entry on my friend’s blog But She’s a Girl, titled “Imagining Nothing,” concerns both Bill Bryson (one of Morgen’s favorite authors) and the Big Bang, a topic I’ve been discussing a fair bit recently. And on our way down the street from our home this morning (right after reading that entry), we passed a garage sale where one of the featured items was a huge children’s book called Big Bang: The Story of the Universe.

These are the sorts of events that really shake my faith in the indeterminacy of life. I can only take so many coincidences without suspecting someone, or something, is behind them. In this case, I think it’s pretty clear what’s going on. I’m being pursued by Happyness. Or Will Smith is stalking me.

Taking/Losing Control of .Mac

Last Saturday, after months of writing interrupted regularly by delays of all sorts, I finally breathed a deep sigh of relief as I submitted to my editor a manuscript for my next ebook, Take Control of .Mac. This is a project I’d hoped to complete during the first few months of the year, and which was getting in the way of finishing some long-overdue updates to my other ebooks. What with my ebooks on upgrading to Tiger and Now Up-to-Date & Contact, Macworld articles, Interesting Thing of the Day, and other interruptions too numerous to mention, I simply couldn’t make it happen sooner.

So this morning I woke up, sat down at my computer, and discovered within the first 30 seconds that I now have a major revision ahead of me, before the first edition even goes out! Not to mention the fact that I’ll need to revise Take Control of Mac OS X Backups more significantly than I already knew I needed to.

The main reason for these revisions is that Apple has done something truly unexpected: they’ve actually made Backup a useful backup application. I can’t overemphasize the significance of this move. I’ve made no secret of my disdain for earlier versions of Backup, which lacked basic features I consider crucial. Although I’ve only spent about an hour so far testing Backup 3.0, I have to say that so far I actually like it. I might even use it. In fact, I might even go so far as to recommend it—for certain kinds of users in certain situations—in lieu of my old favorite, Retrospect.

Most importantly, Backup now performs additive incremental archives, which means that (a) it keeps old copies of files when they change, so that you can choose which one you want when it comes time to restore; and (b) it copies only new or changed files—not every single file—when performing a backup. It has other useful new features too, but I haven’t worked with them enough to say how much I like them.

Added to this is the fact that Apple has quadrupled storage space available to .Mac users for email and iDisk (from 250 MB to 1 GB); you can still buy another gigabyte if you want for $50 per year. Now, 1 GB still isn’t enough to back up your entire hard disk online (and it’s far behind the 2 GB+ limit of Gmail), but it’s certainly way better than before, and at least beginning to get into the territory of practicality. Limited storage space is yet another thing I complained about in the first draft of my ebook on .Mac, and about which I will now have to say somewhat nicer things.

Apple has made some really great steps in the right direction, and this makes me quite upset happy. (I’d like to think that my criticisms played some small part in their decision, but who am I kidding?) I now have to squeeze a few more days of writing into this week, which definitely makes me unhappy, but at least it’s for a good cause.

Summer of S((c)h)wag

A couple of weeks ago, I got an unexpected package in the mail: a large tin of delicious chocolate-covered cherries, sent by my publishers as a sort of congratulatory token for having finally completed the very long project of writing Take Control of Now Up-to-Date & Contact. There’s just nothing better than getting goodies in the mail. Actually, many things are better than that, but let’s just say it’s really nice.

I’ve had a real run on surprise goodies recently. Last month, a reader who’s a professional photographer sent me a lovely print from a Moxy Früvous shoot he’d done in the early ’90s. A couple of weeks ago, I received a large gift basket of hot sauces, which I agreed to review and write about as a follow-up to my Interesting Thing of the Day article on Tabasco Sauce and my blog post about Measuring Spiciness. (Stay tuned. The wheels of progress are spinning slowly this summer.) A couple of days ago, I received two CDs from This American Life, courtesy of a reader I’d helped out with some technical questions. Just this morning, the Fisher Space Pen Company offered to send me a prototype of their latest model for testing—with purple ink, natch—as a result of my article on Space Pens. And yet another message in my Inbox this morning was from a reader and regular correspondent who wanted to know if he could buy me a gift subscription to Z Magazine.

Well, this is all quite extraordinary. I’m pleased, touched, grateful—even in the cases where a commercial motive is perhaps lurking behind the scenes. Of course, I would never, ever want someone to feel obligated to send me stuff—or even a thank-you note—for doing them a favor. Favors shouldn’t have to be repaid. But if you choose to send me stuff simply as a way of spreading some good karma around, I am certainly happy to accept. (Well, usually. When I wrote about Castor Oil, a reader offered to send me some castor bean seeds. As I have no outdoor space available where I could plant them, I had to decline.)

Because I’ve spent so much of my life at trade shows and conferences, I’ve become accustomed to using the term “schwag” to denote free merchandise, usually of a promotional nature. (Trade show attendees invariably walk away with all sorts of odd tchotchkes, usually emblazoned with corporate logos.) So by extension I’ve been referring to the items I’ve received recently as “schwag” too. Some cursory research this morning, however, turned up some curious facts. Apparently, there are three distinct spellings: “swag,” “shwag,” and “schwag,” which—though sometimes used interchangeably—have developed rather different primary meanings. As nearly as I’ve been able to determine, they (usually, not always) break down as follows:

  • swag: Typically used for stolen goods. Please do not send me any of this.
  • shwag: Typically used for marijuana of poor quality. Please do not send me any of this either. (And no, I don’t want it even if it’s high quality.)
  • schwag: Typically used for free merchandise (promotional or otherwise). You may send me this if you wish.

But please do me the courtesy of letting me know in advance if I should expect a package from you. As much as I enjoy surprises, I prefer to have a general idea of what I’m opening, times being what they are.